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Environment painting & design [CGMA, Gilles Beloeil]

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Environment painting & design [CGMA, Gilles Beloeil]

Publisher
CGMA
Product Type
Video Course
Product URL
https://www.conceptart.cgmasteracademy.com/courses/95-environment-painting-and-design
Author
Gilles Beloeil
Language
English, English subtitles
Duration
20:38
Release date
Dec 1, 2019
Skill level
2.00 star(s)
Project Files
Yes
Product Price
$200

CGMA-Environment painting & design - Gilles beloeil.jpg


Environment Painting and Design

Course Description

Environment Painting and Design is an advanced 8-week course focused on creating stronger environment paintings through value, lighting, composition, colour, design, and storytelling.
This course is a follow-up to Environment Concept Design and is designed for students who already have strong digital painting and environment design skills. Throughout the course, students will explore the key elements that make an environment painting successful, including value structure, composition, lighting behaviour, colour harmony, edges, interiors, exteriors, and final rendering techniques.
The course is built around a longer-term project based on a narrative of the student’s choice. Students will work on environment design tasks such as exterior shots, interior shots, establishing shots, and design call-outs, while developing a deeper understanding of how to create images for video games and feature films.
By the end of the course, students will have a stronger grasp of environment painting fundamentals and advanced design principles, helping them create more cinematic, readable, and emotionally engaging environment artwork.

What You’ll Learn

  • How to create stronger environment paintings based on narrative
  • How to use values to describe form, mood, and readability
  • How to design high-key and low-key paintings
  • How to improve composition using classical rules, cropping, camera angle, and shape design
  • How to analyse lighting references and understand how light behaves
  • How to use colour harmony, warm/cool relationships, and emotional colour choices
  • How to apply colour techniques over black-and-white value sketches
  • How to paint interior scenes with multiple light sources
  • How to control edges to improve depth, focus, and realism
  • How to finalise an environment painting with better detail, precision, and polish
  • How to use photo reference effectively without losing artistic control
CGMA-Environment painting & design - Gilles beloeil-1.jpg

Course Curriculum

Week 1 - Introduction and Values

Students begin by studying the importance of drawing, values, and colour relationships. This week covers value scales, value relativity, high-key and low-key paintings, and how strong values can make a painting work even with minimal detail.

Week 2 - Composition

This week focuses on classical rules of composition, master painting studies, drama through cropping, camera angles, positive and negative shapes, strong lines, contrast, overlapping, tangents, and repetition of shapes in space.

Week 3 - Lighting

Students learn how light behaves and how to analyse lighting references. The week covers lighting vocabulary, ambient light, plane angles, and value relationships, followed by a demo on painting light on simple buildings.

Week 4 - Colour

This week introduces colour theory, including the colour wheel, harmony, warm and cool relationships, local colour, light source colour, and emotional use of colour. Students also study how colour affects the mood and storytelling of an image.

Week 5 - Colour Techniques

Students explore different methods for adding colour to black-and-white value paintings. Topics include colour correction, glazing over black-and-white sketches, finalising value sketches, and painting from colour reference.

Week 6 - Interior Shot

This week focuses on the difference between interior and exterior shots. Students learn how to paint an interior scene in colour using at least three different light sources.

Week 7 - Edges

Students study the role of edges in painting, including the four different types of edges, edges in shadows, form shadows, and cast shadows. The week demonstrates how edge control can dramatically improve the final image.

Week 8 - Finalisation of a Painting and Conclusion

The final week focuses on polishing and finalising an environment painting. Students work through a checklist covering details, colour temperature, value variation, form precision, edge control, and the effective use of photo reference.

Requirements

This is an advanced-level course, so students should already have solid experience with digital painting, perspective, and environment design.

Recommended prerequisite knowledge includes:
  • Perspective
  • Environment Sketching
  • Fundamentals of Environment Design
  • Environment Sketching for Production
  • Fundamentals of Architecture Design
  • Environment Concept Design
  • Advanced digital painting and environment design skills
Software and tools used in the course include:
  • Photoshop
  • Wacom tablet or equivalent drawing tablet

Environment painting & design [CGMA, Gilles Beloeil].jpg

Who This Course Is For

This course is ideal for advanced concept artists, environment artists, digital painters, illustrators, and visual development artists who want to improve their environment painting skills for games, film, animation, and entertainment design.
It is especially useful for artists who already understand the basics of environment design and want to push their work toward a more cinematic, polished, and professional level.

About the Instructor

The course features lectures by Gilles Beloeil, an experienced environment artist and concept artist known for his strong understanding of painting, lighting, composition, colour, and visual storytelling.
Through his instruction, students will learn how to approach environment painting with a professional mindset, focusing not only on technical execution but also on clarity, mood, design, and narrative impact.

Final Result

By the end of the course, students will have created a set of stronger environment paintings based on their own chosen narrative.
The final work may include exterior shots, interior scenes, establishing shots, design call-outs, and a more polished final painting that demonstrates stronger use of values, lighting, composition, colour, edges, and cinematic presentation.
 
Last edited by a moderator:
Thats weird. I've paid for the course for quite some time and it seems like i'm not in the group conversation for this course and for Design Mentorship Hueala Teodor as well. Can you check again please? Thank you.